TIF SIGFRIDS: Ulrich Wulff, PREPARATIONS, November 2015
       
     
 Installation shots for PREPARATIONS, an exhibition of new work by Ulrich Wulff, November 14 - December 19 at TIF SIGFRIDS.
       
     
 In Ulrich Wulff’s most recent paintings, we are presented with a figure that has made reoccurring appearances in nearly all of his paintings for over a decade. This character, with it’s bulging, antenna-like eyes, embodies for Wulff a mutable, calligraphic, or even cartoonish attempt at self representation. Though it can be identified as a central actor in a narrative tableaux of sorts, it’s primary function is to orient the artist in the endless field of possibility that opens up any time a new painting is begun.
       
     
 Wulff consistently operates from this fundamental point of entry, so that the art-making process becomes one not only of formal experimentation, but of personal inquiry and dialogue with the ever-changing conditions of social and cultural life. Be it an ongoing attempt at self-portraiture (alongside self-critique) with the understanding that the self is simultaneously the best and least known feature of human experience.
       
     
 Hollywood, Los Angeles, California   www.tifsigfrids.com
       
     
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TIFSIGFRIDS-20151115-0012.jpg
       
     
TIFSIGFRIDS-20151115-0015.jpg
       
     
TIF SIGFRIDS: Ulrich Wulff, PREPARATIONS, November 2015
       
     
TIF SIGFRIDS: Ulrich Wulff, PREPARATIONS, November 2015
 Installation shots for PREPARATIONS, an exhibition of new work by Ulrich Wulff, November 14 - December 19 at TIF SIGFRIDS.
       
     

Installation shots for PREPARATIONS, an exhibition of new work by Ulrich Wulff, November 14 - December 19 at TIF SIGFRIDS.

 In Ulrich Wulff’s most recent paintings, we are presented with a figure that has made reoccurring appearances in nearly all of his paintings for over a decade. This character, with it’s bulging, antenna-like eyes, embodies for Wulff a mutable, calligraphic, or even cartoonish attempt at self representation. Though it can be identified as a central actor in a narrative tableaux of sorts, it’s primary function is to orient the artist in the endless field of possibility that opens up any time a new painting is begun.
       
     

In Ulrich Wulff’s most recent paintings, we are presented with a figure that has made reoccurring appearances in nearly all of his paintings for over a decade. This character, with it’s bulging, antenna-like eyes, embodies for Wulff a mutable, calligraphic, or even cartoonish attempt at self representation. Though it can be identified as a central actor in a narrative tableaux of sorts, it’s primary function is to orient the artist in the endless field of possibility that opens up any time a new painting is begun.

 Wulff consistently operates from this fundamental point of entry, so that the art-making process becomes one not only of formal experimentation, but of personal inquiry and dialogue with the ever-changing conditions of social and cultural life. Be it an ongoing attempt at self-portraiture (alongside self-critique) with the understanding that the self is simultaneously the best and least known feature of human experience.
       
     

Wulff consistently operates from this fundamental point of entry, so that the art-making process becomes one not only of formal experimentation, but of personal inquiry and dialogue with the ever-changing conditions of social and cultural life. Be it an ongoing attempt at self-portraiture (alongside self-critique) with the understanding that the self is simultaneously the best and least known feature of human experience.

 Hollywood, Los Angeles, California   www.tifsigfrids.com
       
     

Hollywood, Los Angeles, California

www.tifsigfrids.com

TIFSIGFRIDS-20151115-0033.jpg
       
     
TIFSIGFRIDS-20151115-0001.jpg
       
     
TIFSIGFRIDS-20151115-0012.jpg
       
     
TIFSIGFRIDS-20151115-0015.jpg